Ben Nevis in Winter Raiment is probably the most significant image that I ever captured. It was through the sale of this particular image that the idea to launch my business, Mountain Images, was born.
Ben Nevis totally dominates Fort William, the West Highland town to which I moved during January 1981. My first full winter season there, that of 1981/82, proved to be one of the most severe in the Highlands for many years, with night-time temperatures dropping, even in Fort William on the shores of Loch Linnhe, to below -20C – a very rare event.
For the mountaineering photographer, these unusual conditions proved to be most advantageous because earlier falls of heavy snow remained on the mountains – even down to sea level – for days on end. Furthermore, these stable anticyclonic conditions provided calm days of clear air and light of oustanding quality. These two factors were to be the most important contributors to my successful and now famous shot of Ben Nevis in Winter Raiment. Whilst Ben Nevis does not reveal the rugged grandeur of its north face in the view from the west across the waters of Loch Eil, it is only from here that the true height and sheer bulk of the mountain can be fully appreciated. This is a popular location for photographers, so views of the Ben Nevis reflected in the waters of the Caledonian Canal Basin at Corpach are very common indeed.
However, I personally feel that the view of Ben Nevis reflected in the canal basin is a poor substitute for the more natural composition which is to capture the mountain perfectly reflected in the waters of Loch Eil. Further advantages of this composition are the sheer purity and depth of the reflection and the freedom from the clutter of nearby buildings and boats and the distracting lines of the canal itself. During the very best period of stable weather, I visited this location on several occasions, morning and evening, waiting impatiently for the optimum conditions. I had several shots already ‘in the can’ but none of them possessed that particular magic that I was looking for. And so, I paid yet another trip to the shores of the loch late one February afternoon.
My perseverance had finally paid off. After several days of fine weather, on this particular evening, the waters of Loch Eil finally yielded a flat calm and that elusive reflection. As with all winter anticyclones which remain stationary over the British Isles, the air had become just a little hazy. But sometimes conditions unexpectedly work in one’s favour, and this afternoon they provided me with one exceptionally delightful feature – the setting sun now bathed the totally snow covered mountain in the most delicate pink light. The reflection and the light was the ‘magic’ that I had been looking for, and the components that turn a good shot into a great one.
All of my prints are made to order.
My prints are painstakingly crafted and printed from only my very best images; the vast majority of which were captured to strictly observed standards using high end professional cameras and lenses, in particular the Fuji GX617 panoramic camera, one of several Canon EOS full frame digital cameras or, more recently, the highly respected market leading Nikon D850 digital camera.
Quality is maintained by respecting the relationship between original image size and final print size; optimising the level of magnification between the two ensures that my prints always contain infinite and crisp subject detail.
I produce all my prints on premium quality inkjet media that enables the extensive colour gamut, best contrast and finest nuances required for impressive pictures.
All my prints are produced on the very latest Epson printers using Ultrachrome HDR pigment inks. These printers take inkjet (giclee) technology to an entirely new level with higher colour accuracy, greater subtlety and smoother gradations. Grass and foliage is much more vivid and natural whilst orange tones in sunrises and sunsets are more dazzling.
All prints have at least a 2" (5cm) white border on all sides of the image.
I apply a simple shipping charge of £7.95 to each order for all UK destinations including the Scottish Highlands.
Print only orders are dispatched within 24-48 hours by Royal Mail First Class Post.
Framed prints are dispatched directly from our framers within 7-10 working days using a tracked service.
Customers are informed of despatched orders by email which includes a tracking reference.
All of my products come with a 30 day no-quibble money-back guarantee. Prints are manufactured individually for each customer and they are inspected before shipment to ensure that they are in perfect condition. If you are not satisfied with the merchantable quality of a product, or if it arrives in a damaged condition, then I will replace them or provide a full credit including postal charges upon safe receipt of the returned goods. Any damages must be advised within 5 working days of receipt of your order.
Please note that this guarantee relates to the merchantable quality of the products which are supplied in accordance with the Customer Protection (Distance Selling) Regulations 2000 as amended by the Consumer Contracts Regulations (2014). Customers should also be aware of the separate cancellation and returns policy which is included in the Terms and Conditions of Business