Ian Evans has an international reputation both as a photographer and as a writer on the mountains of Britain and The Himalaya. Born and educated in Liverpool, he now operates from his base in the small Scottish border town of Lochmaben.
Ian's work and portfolio extends beyond the accepted boundaries of landscape photography. He is a 'mountain man' through and through, never happier than when he is amongst the world's highest mountains - and so his images are taken from that perspective. A sensitive observer of landscape and light, his love for, and his knowledge and understanding of this high mountain environment is reflected in every image.
Ian's photographic skills are self-taught; he learned his craft during an intense and detailed exploration of every corner of what he regards as his 'native' Snowdonia. His influences are the works of W A Poucher, whose black and white guidebooks gave Ian a grounding in mountain form and camera angles, and Galen Rowell whose imaginative and creative use of light was an inspiration to a generation of aspiring mountain photographers.
Over the years, Ian has led or participated in more than 20 expeditions to the Himalaya including visits to Nepal, Tibet, Bhutan, Sikkim, India and Pakistan, during which time he accummulated one of the finest collections of photographs of the world's highest mountains to be found anywhere in the UK.
Ian's images have appeared in many high profile volumes, including 'Wilderness Walks', 'Wild Walks', 'Exploring the Far North West of Scotland', 'On Top of the World', The 'Call of the Corbetts' and 'The Magic of the Munros'. His written work includes articles on the mountains of Scotland, Wales and the Lake District, trekking in the Himalaya and Alpine-style climbing in Nepal.
Between 1975 and 1989, most of Ian's early material was taken in 35mm format using Olympus OM system cameras and lenses which he chose because they were light, compact and simple to use. But as Olympus slowly withdrew this system from the market, Canon EOS became the preferred alternative. Ian moved up to medium format in 1988 and used a variety of systems to produce material supplemental to that from the 35mm Canons. However, by 1999, with the arrival of the stunning panoramic Fuji GX617, this became almost exclusively the camera of choice for all of his work at home and abroad.
With the dawning of the digital era Ian returned to using 35mm; but it was only after performing extensive trials over a two year period on a variety of systems did he decide to make this a permanent change. The camera of choice was, and still is, the Canon EOS 1Ds. All of Ian's current work is now produced exclusively on the 21 mega-pixel Canon EOS 1Ds Mark III which Ian claims is "the only camera that I can safely and comfortably carry high up into the mountains and which will give me the top-line performance that I require for my high quality prints". |